From Product Description:

I have read many negative things about this book, and they are not off base. The plot is not much. The characters are rather elusive and not particularly memorable. But still there is something of value here. Perhaps The Bradshaw Variations is a series of insights or ruminations worked or forced into the form of a novel, but for this reader at least many of them hit home with power. It is a rather unhappy picture of domestic life and family relationships, and it is highly unsettling. Characters squabble and drift apart. Connections are tenuous and precarious and loving attention is hard to come by, though deeply desired. The children realize that their parents are inadequate authority figures, that they are governed as much by childish emotions as their offspring. The grandparents still bicker and waste time, love, and energy even as the number of their remaining days dwindle. I found the book painful to read but full of what I am afraid is an accurate portrait of many relationships. There are no epiphanies. There is no happy portent of a different future. No, in The Bradshaw Variations "the surrounding light is grey and surrendered, as though it is ready at any moment to give in to darkness." <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> <br />

Tonie Swann and Thomas Bradshaw live in a lovely suburban land filled with pretty houses, pretty people, pretty cars, and the scent of success wafting about on the dense British air. When Tonie accepts a high-powered administrative job, Thomas decides to stay home, sampling a more artistic life that definitely agrees with him. Tonie's more fast-paced lifestyle also agrees with her, but she worries that it may not be the best transition for the couple's daughter Alexa, now being looked after by her stay-at-home dad. <br /> <br />Rachel Cusk, the provocative novelist responsible for the artfully lacerating look at suburbia in ARLINGTON PARK, again takes pointed but thoughtful shots at the world of the in-betweens --- those struggling with doing the right thing for their kids, their social set and their careers, while trying hard not to fall for the falsehoods that adult life has offered other generations but not always successfully. This is Cusk's milieu --- the changing face of the modern family --- and THE BRADSHAW VARIATIONS casts new aspersions on the upwardly mobile and fragile members of a family unit. <br /> <br />Cusk has an arsenal filled with $5 college words and a wide array of flawed characters. The suburb her people inhabit could be the same anywhere in the world, in any metropolitan area where people are beckoned to the outskirts by the promise of land on which to race dirtbikes that hurt your child or space from which your very expensive automobile can be viewed and envied by others. Cusk doesn't know how to do warm and fuzzy --- every time the families of Tonie and Thomas get together with them, it is as far from happy and peppy as possible. But the real drama --- the real interest in the novel, as engaging as the outer ring of characters are --- is the story of how Tonie and Thomas get through their year of living, if not dangerously, then differently. <br /> <br />It's not always fun to read Cusk's work --- she doesn't give anybody the benefit of the doubt and never shields her characters or her readers from the reality that is being played out in her drama. Like Virginia Woolf, Cusk is able to dissect her dramatic situations with a literary scalpel, with direct and specific language, conveying emotions that most of us would be frightened to admit to but that carry all the relevancy and import of our real-life decisions. She makes us worry about Tonie and Thomas, even though she gives us enough ammunition with which to hate them. It's a great idea, helping us to form alliances with them even while their reality is painful to us as much as it is to them. <br /> <br />THE BRADSHAW VARIATIONS is yet another in a long line of fascinating pieces of prose from a truly intelligent and interesting writer. This is perhaps Rachel Cusk's tour de force --- and I can't wait to see what she comes up with next to top it. <br /> <br /> --- Reviewed by Jana Siciliano <br />

OK, Rachel Cusk can do no wrong as far as I'm concerned. Each sentence she writes is so beautiful and her insights so precise that you keep wanting to grab the nearest person to read something aloud to. Sure, I'll agree with the other reviewers that the characters suffer from the same malaise, but don't we all? If you love books about marriage, love, families, then try this one. It's very English, very modern, very deep.

Something of a disappointment from Rachel Cusk, whose books I usually admire. Every character in this book seems to be suffering the same malaise, and the author's style does as well, which makes for dull reading. The point of the novel seems to be that no one can really know another person, but isn't that what we, the readers, want from this sort of novel? To understand the characters? This is an almost plot-free novel, so the characters are really all we have. When the plot reaches its peak, it feels out of keeping with the rest of the book and tacked-on. There are some finely observed moments, and the writing is competent, but it all adds up to nothing memorable. Try this author's "Saving Agnes" instead.

The Bradshaw Variations pursues an analogy with piano, but a better parallel would be with painting. With portraiture, or still life. Told in the present, it is a succession of commentaries on the everyday. It revolves around the extended Bradshaw family, three couples plus their children and elderly parents, all living somewhere around London. Each and collectively, the characters follow their routines, tube-tested and analysed by Rachel Cusk in every detail. <br /> <br />A two-star rating is perhaps a little grudging. The Variations do contain the odd nugget. Yet many of its observations are either commonplace or, as one pauses, not that perceptive. `At times I just wanted to punch the air in a frenzy of delighted recognition,' says the critic's quote on the jacket. I didn't want to punch anything, except myself for having bought the book, after a while. Ms Cusk might have pursued the interesting premise that Thomas Bradshaw has decided to become a househusband, while his wife Tonie has returned to work. Thomas plays the piano. His sister-in-law complains she never has time to paint. Work, leisure, creativity, structure: Ms Cusk, as a writer, might have made interesting points about them, but the premise is not developed. <br /> <br />Yet the problem is not so much that the Variations' approach is not interesting, it is that they only stick to a single note. The ending is a cop-out, as if something racy somehow had to be found for the conclusion. Ms Cusk's style is agreeable, but the commentary runs out of breath. And what starts out as wistful ends up becoming dull. For Variations, this is not that varied.